+ Toronto Traditional Mass Society +
THE TORONTO TRADITIONAL MASS SOCIETY - UNA VOCE TORONTO - since 2004 has been a Chapter of the VTMS in Vancouver -- a Member of Foederatio Internationalis Una Voce--FIUV. We are a lay movement of Catholics dedicated to the development of the Extraordinary Form of the Roman Rite in the Archdiocese of Toronto and its suffragan dioceses for the restoration of Catholic piety and culture.
Monday, April 29, 2013
Tuesday, March 26, 2013
Paschal Triduum - Southern Ontario EF Schedule
We are are still not where we need to be with the regular celebration of the Holy Mass in the Extraordinary Form on these Holy Days but it is getting better. In the Greater Toronto Area these are your options with the usual Sunday times applying at St. Lawrence, Holy Family, St. Vincent de Paul, Toronto, the Carmel in Zephyr, St. Patrick's Schomberg, St. Patrick's Kinkora, St. Ann's Kitchener and St. Aloysius Gonzaga at St. Catharines.
Archdiocese of Toronto
Carmel of the Infant Jesus, Zephyr
Holy Thursday - 8:00PM
Good Friday 3:00PM
Holy Saturday Vigil 8:00PM
No music
Diocese of Hamilton
No Triduum Services attend see below.
Diocese of Hamilton
No Triduum Services attend see below.
Diocese of London
St. Vincent de Paul Church, Mitchell (twinned with St. Patrick's Kinkora)
Holy Thursday, 7:30PM Sung
Good Friday, 3:00PM Sung
Holy Saturday, 7:00PM Read (Solemn OF Latin/English at St. Patrick's Kinkora 8:00PM
Easter Sunday Solemn Mass at 12:00 - St. Patrick's Kinkora
Diocese of St. Catharines
St. Aloysius Gonzaga Catholic Church (FSSP), Thorold
St. Aloysius Gonzaga Catholic Church (FSSP), Thorold
Holy Thursday, 7:00PM
Good Friday, 3:00PM
Holy Saturday Vigil 10:30PM
All Sung
Please send any updates to unavocetoronto@rogers.com
Saturday, March 16, 2013
Solemn Latin Mass on St. Joseph's Day
What better way to honour God and pray for our new Holy Father Francis on the day of his installation as Pope then to attend Mass. While we normally work and promote the Holy Mass in the Extraordinary Form we do wish to bring this wonderful news to your attention.
TRIDUUM OF PRAYER IN HONOUR OF ST. JOSEPH,
PATRON OF THE UNIVERSAL CHURCH AND OF CANADA
AT ST. MARY IMMACULATE PARISH, RICHMOND HILL, ON - March 16, 17, 18 at 7:30 p.m.
Tuesday, March 19 at 7:00 p.m.
Solemn Sung Latin Mass - Ordinary Form of the Roman Rite
Mass in G, Soli, for Choir, & Orchestra by Franz Schubert.
Conductor: Uwe Lieflander with the Schola and Soli of Our Lady Seat of Wisdom Academy and Sinfonia Sacra.
Reception to follow in the Parish Hall with the Blessing of St. Joseph’s Table.
Thursday, March 14, 2013
Habemus Papam
The Toronto Traditional Mass Society-UNA VOCE TORONTO
gives praise and thanks to God
for our new Holy Father
Pope Francis
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V. Let us pray for Francis, our Pope.
R. May the Lord preserve him, and give him
life, and make him blessed upon earth, and deliver him not up to the will of
his enemies (Ps 40:3)
PATER NOSTER,
qui es in caelis, sanctificetur nomen tuum. Adveniat regnum tuum. Fiat voluntas tua, sicut in caelo et in terra. Panem nostrum quotidianum
da nobis hodie, et dimitte nobis debita nostra sicut et nos dimittimus
debitoribus nostris. Et ne nos inducas in tentationem, sed libera nos a malo.
Amen.
AVE MARIA,
gratia plena, Dominus tecum. Benedicta tu in mulieribus, et benedictus fructus
ventris tui, Iesus.
Sancta
Maria, Mater Dei, ora pro nobis peccatoribus nunc et in hora mortis nostrae.
Amen.
GLORIA Patria, et Filio, et Spiritui Sancto. Sicut erat in principio, et nunc,
et semper, et in saecula saeculorum. Amen
O God,
Shepherd and Ruler of all Thy faithful people, look mercifully upon Thy servant
Francis, whom Thou hast chosen as shepherd to preside over Thy Church. Grant
him, we beseech Thee, that by his word and example, he may edify those over
whom he hath charge, so that together with the flock committed to him, may he
attain everlasting life. Through Christ our Lord. Amen
Tuesday, February 12, 2013
Thank you, Your Holiness

Dear Holy Father, Pope Benedict XVI,
Know Holy Father how much you are loved for your ministry in the Church and for your faithfulness to Our Lord. Know also how grateful we are for Summorum Pontificum. You have given to the Church a gift that will endure and will lead to a restoration.
May our dear Lord comfort you; may His Mother protect you.
Thank you God for Papa Ratzinger.
God bless you Pope Benedict.
With love and prayers and tears,
Una Voce Toronto
Wednesday, January 30, 2013
Six Candlemas EF Liturgies in Southern Ontario!
Down with the rosemary, and so
Down with the bays and the mistletoe;
Down with the bays and the mistletoe;
Down
with the holly, ivy and all,
Wherewith
ye dress'd the Christmas Hall
Robert
Herrick (1591-1674)
"Ceremony
upon Candlemas Eve"
This
Saturday is the final feast of the great Christmastide, Candlemas; from the
Anthem, Lumen..."A light unto the Gentiles."
In addition to the Solemn Mass in Richmond Hill at St. Mary's and the Sung Mass at St. Patrick's in Kinkora which UNA VOCE TORONTO is assisting at or organising, there
are other Masses in the Extraordinary Form of the Roman Rite in the
Archdiocese of Toronto in addition to the Sung Mass at St. Patrick's Kinkora with the choir from St. Ann's Kitchener Latin Mass Community in the Diocese
of London at 10:00AM. and St. Aloysius in the Diocese of St. Catharines at
9:00AM.
TORONTO
ORATORY at HOLY FAMILY, Parkdale
Read
Mass at 8:30AM
ST.
LAWRENCE THE MARTYR, Scarborough
Read
Mass at 10:00AM
ST.
MARY IMMACULATE, Richmond Hill
Solemn
Mass at 10:30AM
ST.
ISAAC JOGUES, PICKERING
Read
Mass at 11:00AM
Monday, January 14, 2013
The Altar Server
This superbly beautiful video featuring a senior Altar Server at St. Theresa's in Sugarland, Texas is a must see. While done for the Ordinary Form this of course applies to the Extraordinary as well. From "head to toe" this young man explains what is really important, "grave and serious" is his disposition and his message should be distributed and listened to and pondered by all who Serve at the Altar. He speaks of how the externals must "impact the heart" and this is critical to our lives as Christians. If the impact of the heart is not taking place at the Altar and outside of it, if we are not being formed and reformed by our work in the Mass, why do we do it and what are we doing it for? If we continue on in our own ways are we committing an injustice to God?
Saturday, January 12, 2013
Extraordinary Rubrical Musings - What's the difference?
In the Ordinary Form of the Roman Rite, the ars celebrandi, if not the theology, has often been described as "horizontal." By this, it is generally meant that it is more focused on community than the Divine; for example, in his great work The Spirit of the Liturgy, Pope Benedict XVI calls Mass facing the people as a "community turned inwards on itself." When one attends an Mass in the new Rite, the music is generally banal and inappropriate and while the new GIRM clearly desires all of the Mass to be sung, it is still a mish-mass of this and that. Few realise that Gregorian chant is proper to the new liturgy as well. To a large degree, this is due to the 1967 document, Musicam Sacram, which; thankfully given paragraph 28 of Universae Ecclesiae, does not apply to the Roman Missal 1962. Let us observe carefully this paragraph; "Furthermore, by virtue of its character of special law, within its own area, the Motu Proprio Summorum Pontificum derogates from those provisions of law, connected with the sacred Rites, promulgated from 1962 onwards and incompatible with the rubrics of the liturgical books in effect in 1962." This is very important and in specific terms means, anything that came after which conflicts is not permitted. No Altar Girls, no communion in the hand, no communion standing (unless incapable to kneel), no Extraordinary Ministers of Holy Communion, no lay Lectors and no Sunday Anticipated Masses on Saturday evenings. It is important to note that in connection with this, the Vigil Mass of Christmas, for example, is the Mass of December 24 (in violet and therefore, an Advent liturgy) and the same would apply to the other Vigil Masses such as the Vigil Mass of Pentecost in the 1962 Missal. These are not evening Masses anticipating the next day, they are the Mass of the day prior. In the OF Missal the Vigil Masses are of a different nature and they can be celebrated after Vespers (4:00 PM) and be anticipated for the next day. In the Extraordinary Form of the Roman Rite, there are clearer definitions and certainly fewer options.
Some rubrics were modified during the legitimate liturgical movement of the first half of the 20th century. They were not so much a change in the liturgy but a change in the approach to the liturgy. For example in 1923, the first permission was given by Pope Pius XI for the "Dialogue Mass." Later, the desires of St. Pius X in Tra le sollecitudini and Pope Pius XI with the early Dialogue permissions and again recommended by Bl. Pius X in Mediator Dei and De musica sacra et sacra liturgia and again by Blessed John XXIII in Rubricarum instructum (English here) were implemented. Truly, those that came after 1958 are less well known. There was no internet after all and parishes and people did not rush out to buy new Missals or even consider reading the version then of the GIRM.Some questions that have been asked of us and arise are the simple terms of the Mass in the old rite and connected with these there are some important rubrics. Let us look at a simple guideline based on all of the documents above as to the names and their general rubrics relating to music and the spoken word:
Solemn Mass
Known in Latin as a Missa Solemnis, this is the norm for the Mass with priest, deacon and subdeacon. All parts, Ordinary and Proper must be sung, incense is required. Propers should be sung in Gregorian melisma but can be sung in psalm-tone or recto-tono if necessary or they can be sung in polyphonic style or a drone could be used under the chant. A Pontifical Solemn Mass is when a bishop presides and while there are additional ceremonials, the musical requirements are the same.
| A new priest's first Solemn Mass with an "Assistant Priest" present. |
Semi- Solemn Mass
Unbeknownst to many, in 1963 a universal permission was granted for a Semi-Solemn Mass without a Subdeacon. The Deacon sings the Epistle and assumes many of the function of the Subdeacon except for the holding of the paten in the humeral veil. The Church was clearly interested in breaking out of the Low Mass Sunday manner of celebration so prevalent. Most parishes had at least two priests and one could have served as a Deacon for the principal Sunday celebration.
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| Sung Mass |
Sung Mass
The Missa Cantata is an exception. As referred to above, the Solemn Mass is the norm. The Missa Cantata was and remains a substitute as a Solemn Mass is not always possible and a Read Mass is not the ideal for the LORD's Day. The Sung Mass is without a deacon or subdeacon and the same musical rubrics apply as the Solemn Mass. Until 1962, incense was only used at a Solemn Mass but now is optional in a Sung Mass and often depends on the number of Servers. If there are sufficient, then even Torchbearers can be used during the Canon. In a Missa Cantata, all parts must be sung, Proper, Ordinary, Lesson, Epistle, Gospel and Responses.
Read Mass
| Read Mass with one Server |
Read Mass with Music
In 1958, the Sacred Congregation of Rites allowed applied certain norms and discipline to the rubrics in response to varied styles of providing music from parish to parish. No Propers (Introit, Gradual, Alleluia, Tract, Sequence, Offertory or Communion) may be sung, the Gloria and Credo may not be sung. The Kyrie, Sanctus and Agnus Dei may be sung, if short. A hymn in Latin may be sung at the Entrance but must end before the Introit is recited. A motet or hymn may be sung at the Offertory and at Communion in Latin or in the vernacular, provided it has something to do with the liturgical action of each; gifts, offering and at Communion, the Eucharist or thanksgiving. A recessional hymn may be sung or the organ may be played at these parts. This is not to be confused with a Sung Mass or Missa Cantata as above and the Propers must be proclaimed audibly and must never be covered with music. The organ may be played at any parts but may not cover the said Propers.
Dialogue Mass
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| Solemn Requiem held during Lent |
Requiem Mass
No organ is to be used at any Requiem Mass except to support the singing, if absolutely necessary. No prelude, no postlude, period! A Requiem Mass' organ rules are the same as Lent and Advent, no organ solos. The Mass may be Read, Sung or Solemn in which case the norms above apply.
Rubrics are important. They keep us all on the same page and ensure that dignity and that we follow the Holy See's desires for Her liturgy. To quote from Universae Ecclesiae 24; "The liturgical books of the forma extraordinaria are to used as they are. All those who wish to celebrate according to the forma extraordinaria of the Roman Rite must know the pertinent rubrics and are obliged to follow them correctly." We must humble ourselves to the rubrics and not go our own way. Mixing the rubrics is not anticipated by the Church. Holy Mother Church gives us the guide, it is our duty to follow.
Let us all be educated in these important matters to serve loyally and faithfully. Let us not make the mistakes either out of ignorance or intent as so often found in the Ordinary Form; "I did it, my way." Let us also respect though, the established norms of existing communities of faithful and the customs to which they or their priests have maintained. The dialogue. for example, should not be forced on any individual, where it is not the custom; on the other hand, neither should anyone be chastised for engaging in it.
The Toronto Traditional Mass Society--UNA VOCE TORONTO will enthusiastically assist any priest or server or individual with gaining a greater understanding of the ars celebrandi of this venerable Rite. You may write us at unavocetoronto@rogers.com.
Thursday, January 3, 2013
Epiphany Eventide - Anglican Use
In support of our Catholic brethren in the Anglican Ordinariate:
Something beautiful is happening in Toronto in the liturgy and the worship of Our Lord - the Anglican Ordinariate. Each Sunday, there is a Mass according to the Anglican Use that any Roman Catholic can attend and receive the Holy Eucharist fulfilling one's Sunday Obligation. We have in Oshawa the Sodality of the Good Shepherd and in Toronto, the Toronto Anglican Use Sodality which will soon have its own named Patron Saint. Their blogs, in addition to Peregrinations - A Canadian view of Anglican Catholic Issues have now been listed prominently on the left side to easily access their news and their apostolates.
| Good Shepherd Church, Oshawa |
| Eglise Sacre-Coeur, Toronto |
Sunday January 6, 2013
Feast of the Epiphany of the Lord
Feast of the Epiphany of the Lord
7:00 P.M.
Evensong, Benediction and Carols
Evensong, Benediction and Carols
Eglise Sacré-Coeur
The Ordinariate in Canada is not yet established independently, but Canada is now the Deanery of St. John the Baptist under the Ordinariate of the Chair of St. Peter in the United State of America. If you are an Anglican or Protestant who is considering entry into the Catholic Church, why not consider the wonderful opportunity provided by our Holy Father, Benedict XVI gloriously reigning under the provisions of Anglicanorum Coetibus?
Now for your enjoyment, turn the player off at the above left and enjoy a motet from Gaudete Sunday.
Saturday, December 22, 2012
TTMS-UNA VOCE TORONTO featured on world's leading Catholic blog!
One of the world's leading blogs, Rorate Caeli, has asked us for a full report on the situation in Toronto with regards to the traditional liturgy. We are humbled and grateful that our work has been recognised internationally.
Sunday, December 16, 2012
We Report: Rorate Mass at St. Patrick's Kinkora
The word "Rorate" has its place in the Advent liturgy of the Latin Rite of the Catholic Church in both Forms of the Roman Rite. It is the Advent Prose - as highlighted in this video; it is also the first word of the Introit or Entrance Antiphon for the Mass on the Fourth Sunday of Advent (in the Ordinary Form - Novus Ordo as well) and it is the first word from the same Introit used in the Votive Mass for Our Lady in Advent and it appears frequently in the Divine Office or Liturgy of the Hours.
When there is no feast on the day, the Votive Mass can be celebrated. In the new rite, the Ordinary Form, the lectionary specifies the Readings consistent with the Temporal Cycle, but in the old rite or Extraordinary Form, the Sanctoral Cycle specifies the readings for that feast or Votive Mass. As the Mass can reasonably take its name from the first word or words of the Introit -- Missa Quasimodo, Missa Suscepimus, Missa Puer Natus Est -- this Mass is known as the "Rorate Mass."

While it is not a rubrical requirement, there is a tradition from Bohemia, Poland and Bavaria that the Mass be celebrated in the pre-dawn hours by candlelight ending just as the light from the East shines softy from below the horizon and the windows are softly revealed. From darkness into light - the darkness without Christ to being in His light.
The Blessed Mother is the bearer of that light. It grew in her womb for nine months. It was God, the very God come to earth as a baby, taking the flesh and blood of this pure and immaculate young girl of probably 15 in the little town of Nazareth. This woman was the one who would crush the serpent. She is the new "ark of the covenant" that carries within it the law of God as in the Ten Commandments, the power of God as in the Rod of Aaron and the Bread of Life which came down from Heaven, just as the manna in the desert. When this baby was born he was laid in a manger. Why a manger? Aside from the obvious it is because from that manger the creatures were fed. We are fed the Bread of Life and that He was laid by this new mother in a manger is of no coincidence. This mother is Our Mother, this woman is the Woman. She is the truly the Mother of God, the God who came to earth as a baby to save us.
As Father Paul Nicholson of St. Patrick's Kinkora said in his homily, "the virginal work of the bee, manufacturing wax and producing honey is a prophet of nature, pointing to the Work of the Immaculata. She gave us more than honey, She gave us the BREAD of Life and "it is sweet to taste". She gave us more then wax, she gave us LIGHT"
This is the truth of the faith and this is why we offer Sacrifice to God in the Holy Mass and why we honour His most perfect creature, the one who bore Himself.
In the little hamlet of Kinkora in the Diocese of London in Ontario and 160 kilometres from Toronto, a Rorate Mass was celebrated. In the cold and dark of a December morning they came. From Toronto, Kitchener, Cambridge, London, Walkerton, Waterloo and from places in between. At 5:30 A.M, they gathered to pray and to honour the truth of God and His Mother. Some rose three hours earlier, children in tow to a drive to a beautiful church in the middle of farming country including half of the Board of Directors of the Toronto Traditional Mass Society-UNA VOCE TORONTO who are honoured to have assisted the priest of this parish with the organisation and promotion of this Mass. Three years ago, seven people attended and we gathered for breakfast around the generous table of the Kinkorites Sharon and Patrick. This year there were more than ten times that number and all gathered in the local school gymnasium for a community breakfast. The TTMS-UNA VOCE TORONTO has in its mandate, the assistance to the suffragan dioceses of the Toronto Metropolitan See with the development and support of the Extraordinary Form of the Roman Rite.
Let us pray that the words of that prose; "Drop down ye heavens from above, and let the clouds rain down the Just One."
Tuesday, December 11, 2012
We Report: Immaculate Conception Mass at St. Joseph's, Mississauga
Bordering
Toronto’s western boundary is the City of Mississauga which means in
Anishinaabe – the language of the aboriginal people of this area, “those at the
great river mouth.” It reminds one of Canada’s motto on its Coat of Arms from
the 72nd Psalm, "Et dominabitur ‘a mari usque ad mare,’ et a flumine usque
ad terminos terrae" At the most
westerly church in the Archdiocese of Toronto and one dedicated to St. Joseph,
Canada’s Patron Saint, over 450 people gathered on the feast of the Immaculate
Conception to give glory to God and to
honour the great Patron’s Immaculate Spouse with the celebration of a Solemn
Mass in the Extraordinary Form of the Roman Rite.
This was
the first Solemn Mass in the "Old Rite" in this City of over 700,000
in almost half a century. The pastor of St. Joseph’s Church is a very dedicated
and welcoming priest and in September 2011 a Missa Cantata was held there on
the Feast of the Exaltation of the Holy Cross and the parish was used for the
first Anglican-Use Mass celebrated in Canada the previous March during a
diocesan conference on the Anglican Ordinariate. Built in the early 1990’s the
church is typical of its time but it has undergone a beautification using high
quality altar-ware, frontals and tabernacle veils, vestments, beautiful
statues, colour and stenciling and of course, adherence to the rubrics of the
GIRM in the Ordinary Form - there is here, truly a love of the holy liturgy.
The choir is, without a doubt, the most skilled and most liturgically correct
of any Catholic parish in Mississauga; they utilise the Propers in English and
Latin for the Ordinary Form of the Roman Rite, the Parish Book of Chant and
polyphony. Last year, the parish and its pastor hosted a Chant Workshop with
Father Samuel Weber, O.S.B.
After
Mass, a woman remarked to the Pastor, that “it was as if we were transported to
heaven.” A young Altar Server told of dozens of people coming to receive Holy
Communion with tears in their eyes, some were quivering. When these kinds of
comments are heard, it is a joyful but incredibly humbling experience for all involved
with this work at the Toronto Traditional Mass Society—Una Voce Toronto and it
reaffirms to us all, why it is that we do this work.
A great
blessing to Toronto was the erection, almost 35 years ago, of the Toronto
Oratory of St. Philip Neri who began celebrating the Usus Antiquior under the
former indult, only the second in the entire Archdiocese of Toronto the first
being said by a kind and humble priest that was once alone in this work. He is
still going strong with two Masses on Sunday at nearly 80 and the Oratorians
celebrate daily in their primary parish, on Sundays in their second and within
their various chapels at the Oratory and St. Philip’s Seminary.
The former
Cardinal Ambrozic, rejected our repeated request to invite the Priestly
Fraternity of St. Peter to Toronto. The
Society was joyous when Archbishop, now Cardinal Collins acceded to our request
and invited the FSSP to Toronto. The Fraternity, shabbily treated whist here,
left Toronto after a short 19-month Apostolate and it was up to the laity to
pick up the pieces to ensure that the Extraordinary Form of the Roman Rite was
brought far and wide. In the months since then, the Society has organised Sung
or Solemn Masses on Corpus Christi, Assumption, Holy Cross, Christ the King,
Immaculate Conception, Epiphany, Candlemas, Ascension, All Saints and All Souls
and we are now in our second year of doing this. These Masses have been
celebrated in parish churches and even the beautiful chapel at Loretto Abbey
where we will return next year for the Ascension of the Lord. We are deeply
grateful for the five Priests and even the Permanent Deacon who have helped us
to fill the vital need of the faithful. The Cardinal Archbishop has also
ensured that the former indult/FSSP apostolate was moved to a beautiful church
with a Chaplain appointed and now the Mass is there daily as well in the
eastern part of Toronto, known as Scarborough.
The
Toronto Traditional Mass Society-Una Voce Toronto was established in 2004 and
is a Chapter of Canada’s original Member of FIUV, the International Una Voce
Federation. We have a strong, united and elected Board of Directors and we
continue to grow our membership and acquire liturgical items including custom
made catafalque candles, vestments and Missals and altar-ware. As a registered
charity we have raised funds and provide financial support and stipends to
seminarians at home and those from the Archdiocese studying abroad having a
devotion and commitment to the full expression of the Roman Rite. Given our own
statutes to aid the suffragan dioceses of the Toronto Metropolitan See where no
organised laity is formed, we are working in the Diocese of London and this
coming Saturday at St. Patrick’s in Kinkora we are assisting with the
organisation of a “Rorate” Mass at 5:30 A.M.
For more
information or to support our work we invite you to visit www.unavocetoronto.com
(which you will shortly find, re-constructed) or write us at
unavocetoronto@gmail.com.
Extraordinary
Form of the Roman Rite
Regularly
Scheduled Masses in the Archdiocese of Toronto
St.
Patrick’s Church
91 Church
Street,
Schomberg
905-939-2256
Sunday at
9:00 A.M.
Read Mass
with Music
Toronto
Oratory Church of St. Vincent de Paul
63
Roncesvalles Avenue, Toronto
416-535-7646
Sunday at
9:30 A.M.
Read Mass
Toronto
Oratory Church of the Holy Family
1372 King
Street West, Toronto
416-532-2879
Sunday at
11:00 A.M
Solemn
Mass (Sept-May)
Sung Mass (June-July)
Read Mass
(August)
Monday to
Friday 11:30 A.M.
Saturday
8:30 A.M.
Carmel of
the Infant Jesus
12519 2nd
Concession Road, Zephyr
905-473-9801
Sundays at
11:30 A.M.
Read Mass
St.
Lawrence the Martyr Catholic Church
2210
Lawrence Avenue East, Toronto (Scarborough)
416-759-9359
Sunday at
1:00 P.M.
Read Mass
with Music
Monday to
Wednesday at 11:00 A.M.
Thursday
at 7:00 A.M.
Friday at
7:00 P.M.
Saturday
at 10:00 A.M.
Wednesday, November 28, 2012
Upcoming Traditional Latin Masses in Toronto
Friends,
We are so grateful that on All Saints Day and All Souls Day the Toronto Traditional Mass Society was able to welcome so many for the two Solemn Masses. Much thanks is to be given to the priests, deacons, seminarians, servers and choir members for all of their faithful work and commitment.
We are happy to announce the following Masses:
Saturday, December 8, 2012 at 11:00 A.M.
Solemn Mass
Feast of the Immaculate Conception of the Blessed Virgin Mary
St. Joseph's Catholic Church
5440 Durie Road, Mississauga
Saturday, December 15, 2012 at 5:30 A.M.
Sung Mass
"Rorate" Votive Mass for Our Lady's Saturday in Advent
St. Patrick's Church
Kinkora
Saturday, February 2, 2013 at 10:00 A.M.
Solemn Candlemas
Feast of the Purification of the Blessed Virgin Mary & Presentation of the LORD
St. Patrick's Church
Kinkora
Thursday, May 9, 2013 at 7:00 P.M.
Solemn Mass
Feast of the Ascension of the LORD
Loretto Abbey
Toronto
Also, please note that the Toronto Oratory has now changed its Sunday schedule beginning next Sunday, the First Sunday of Advent 2012. With Epiphany falling in 2013 on a Sunday, the TTMS will not be organizing a Mass and reminds you of the following regular diocesan parishes offering the Extraordinary Form of the Roman Rite every Sunday.
Toronto Oratory Church of St. Vincent de Paul
Read Mass (Low Mass)
9:30 A.M.
Toronto Oratory Church of the Holy Family
Solemn Mass
11:00 A.M.
And a reminder:
St. Patrick Church, Schomberg
Read Mass with Music
9:00 A.M.
The Carmel of the Infant Jesus, Zephyr
Read Mass
11:00 A.M.
St. Lawrence the Martyr Scarborough
Read Mass with Music
1:00 P.M.
Friday, November 23, 2012
Clarity
Did you know that, in Canada, there are two Member of FIUV, Foederatio Internationalis Una Voce. These are the Vancouver Traditional Mass Society and within the last few months, the Latin Mass Society of Canada which operates out of Ottawa and Quebec. Each "Member" can grant recognition of "Chapters." Since 2004, the Toronto Traditional Mass Society has been a recognized "Chapter" of the Vancouver Traditional Mass Society the original member of FIUV in Canada.
Sunday, November 18, 2012
Catafalque Candles for the Requiem Mass
My friend
over at The Spirit's Sword has a little hobby. In preparing for the Solemn
Requiem Mass at St. Isaac Jogues in Pickering, it was necessary to obtain
catafalque candles for the Prayer at the Catafalque.
In the
new Rite of the Mass, the Paschal Candle is lit at the head of the coffin. In
the traditional Latin Rite, the Extraordinary Form of the Roman Rite, this is
not the case. The coffin on the catafalque or "trolly" if you will,
is surrounded by six candles and the coffin is covered in a black pall, not
white. While every church had these prior to the liturgical reforms they cannot
be found today. To be sure, one could use floor mounted candles which are often
used around the versus-populum altar but they are generally too fancy. These
candles should be rather subdued. As well, the candles themselves should be
unbleached and 100% beeswax.
So, what
to do?
My friend
over at The Sprit's Sword has a little hobby; well, he obtained his first
commission and he did a fine job. Here is the story reprinted from his blog,
with permission:
What I've been up to lately.
I spent much of my spare time in the month of October building these.
Catafalque candles, used in funerals in the extraordinary form Mass.
I was e-mailed by a friend who wished to purchase some for the EF All Souls Mass around the end of September. A quick web search turned up a design that was acceptable, and I made a prototype out of scraps I had lying around the garage. The friend suggested a possible colour scheme which I tried out...
..and which was quickly rejected. We decided to go with the dark colour, with the sticks made out of oak. The buyer wanted the wood to be all new, so I went to the local lumber yard (a Home Depot, sadly. All the good lumber yards I used to know when I bought wood regularly have all closed down) and priced out some wood, sent him an estimate, to which he agreed. I started buying wood and gluing it into blanks big enough for the candlesticks.
Around this time, I mentioned to a co-worker that I had this commission, and he offered me the use of his duplicating attachment for the lathe. That would make everything so easy and just perfect. I wrote to the buyer and told him that it looked like everything was just hunky dory, and there should be few problems from here on in.
Problem #1:
The co-worker wrote to me to tell me that his garage is such a mess that he couldn't get into it enough to find the duplicator. I wrote back to him thanking him for the offer of help, and telling him I would send over the crew from Hoarders posthaste. Inside I was a little annoyed. I would have to freehand the whole thing.
I began by setting up a couple of storysticks. A storystick is basically a stick with the measurements laid out on it. I hold it up against the piece on which I am working, and take the measurements off it, rather than, say, using a measuring tape every time. It is more useful than a measuring tape, as it is more stable, and, if a mistake has been made in the measuring on the stick, it will be a consistent mistake- and in making six identical as possible candlesticks, consistency is more important than accuracy. With a measuring tape, there would b a chance of a random error creeping in to my measurements on every individual piece. I also set my calipers, sharpened my turning tools (since I was working in oak, I would be doing a lot of sharpening over the course of this project) mounted the wood, and fired up the lathe.
I turned the main blank round, and transferred the marks from the stick onto the blank. The only real problem now would be variations about the thickness of a pencil line. A pencil line is about a thirty second of an inch wide, depending on sharpness etc. A deviation about the thickness of a pencil line is not too much of a problem, as it tends to be offset by other deviations. What that means in practical terms is that if you are off- say, too short- by a pencil line thickness for one detail, you are just as likely to be off in the other direction- say, too long- for the next one, and the two deviations will cancel each other out.
Problem #2.
Sometimes the deviations line up in the same direction. So if you make four lines, and are off the thickness of the line the same way each time, the error accumulates and instead of cancelling each other out, you will ultimately be off by an eighth of an inch, which is a much greater variation than it sounds. At least for the maker, of which I will say more later.
This problem really appeared after the turning was all done and I began to glue up the candlesticks. Two were the same size; the other four were off by an eighth of an inch or more. I cut them apart, reglued them. The four were now correct. The other two were off, so I sawed them apart, etc. I also noticed that one of the top pieces was unacceptably off. I glued up another blank, and made a better one. Next I had to make sure they all stood up straight.
This was tricky. Because of the height of the candlesticks, being out of true, even by a very small amount, would create a noticeable tilt in the sticks. This is where the feet on the sticks come in. I can plane a little bit off here and there off the feet to make the sticks stand up straight. Except that no matter what I do, the sticks are always tilting a little. And then I notice that, no matter what I do, the sticks are always tilting in the same direction, depending on which section of floor I have put them, which brings me to
Problem #3.
The floors in my house are not level. Unless I can find a flat patch in the house, I cannot true up the sticks. I find a flat patch in the kitchen, so, huzzah, but then I realize that, with all the adjusting I had done trying to get them to stand up straight in the living room, I had more or less ruined the feet. So, remove feet, and put on a new set. A very small amount of adjustments later, and everything is hunky dory. The sticks were now ready for finishing.
The finishing process actually went quickly and smoothly. Three applications of stain (I used a water based aniline dye, dark walnut colour. One of my gloves leaked, and the dye soaked into my skin, and it was impossible to get off. My hand was dark brown for over a week until the skin die and flaked off.) and another five of varnish. Apply thin coats, sand in between, and voila, the job is finished. Call up the buyer.
Problem #4
This is mainly psychological. As a builder, I know every flaw and misstep in my work. To me, it stands out like a sore thumb, and I see the flaws every time I look at my work. No one else ever sees it, but I do, and it makes me a little paranoid sometimes. I find myself thinking, he'll see it. He'll hate it. He won't pay. I don't blame him.
But it was all for nothing. The buyer came, loved them, and picked them up. He even sent me a photo from the All Souls Day Mass.
Not bad, even if I do say so myself.
Now, back to the Christmas Bazaar stuff, and the home altar, and the medieval clock, and the hope chests, and the desk, and....
Catafalque candles, used in funerals in the extraordinary form Mass.
I was e-mailed by a friend who wished to purchase some for the EF All Souls Mass around the end of September. A quick web search turned up a design that was acceptable, and I made a prototype out of scraps I had lying around the garage. The friend suggested a possible colour scheme which I tried out...
..and which was quickly rejected. We decided to go with the dark colour, with the sticks made out of oak. The buyer wanted the wood to be all new, so I went to the local lumber yard (a Home Depot, sadly. All the good lumber yards I used to know when I bought wood regularly have all closed down) and priced out some wood, sent him an estimate, to which he agreed. I started buying wood and gluing it into blanks big enough for the candlesticks.
Around this time, I mentioned to a co-worker that I had this commission, and he offered me the use of his duplicating attachment for the lathe. That would make everything so easy and just perfect. I wrote to the buyer and told him that it looked like everything was just hunky dory, and there should be few problems from here on in.
Problem #1:
The co-worker wrote to me to tell me that his garage is such a mess that he couldn't get into it enough to find the duplicator. I wrote back to him thanking him for the offer of help, and telling him I would send over the crew from Hoarders posthaste. Inside I was a little annoyed. I would have to freehand the whole thing.
I began by setting up a couple of storysticks. A storystick is basically a stick with the measurements laid out on it. I hold it up against the piece on which I am working, and take the measurements off it, rather than, say, using a measuring tape every time. It is more useful than a measuring tape, as it is more stable, and, if a mistake has been made in the measuring on the stick, it will be a consistent mistake- and in making six identical as possible candlesticks, consistency is more important than accuracy. With a measuring tape, there would b a chance of a random error creeping in to my measurements on every individual piece. I also set my calipers, sharpened my turning tools (since I was working in oak, I would be doing a lot of sharpening over the course of this project) mounted the wood, and fired up the lathe.
I turned the main blank round, and transferred the marks from the stick onto the blank. The only real problem now would be variations about the thickness of a pencil line. A pencil line is about a thirty second of an inch wide, depending on sharpness etc. A deviation about the thickness of a pencil line is not too much of a problem, as it tends to be offset by other deviations. What that means in practical terms is that if you are off- say, too short- by a pencil line thickness for one detail, you are just as likely to be off in the other direction- say, too long- for the next one, and the two deviations will cancel each other out.
Problem #2.
Sometimes the deviations line up in the same direction. So if you make four lines, and are off the thickness of the line the same way each time, the error accumulates and instead of cancelling each other out, you will ultimately be off by an eighth of an inch, which is a much greater variation than it sounds. At least for the maker, of which I will say more later.
This problem really appeared after the turning was all done and I began to glue up the candlesticks. Two were the same size; the other four were off by an eighth of an inch or more. I cut them apart, reglued them. The four were now correct. The other two were off, so I sawed them apart, etc. I also noticed that one of the top pieces was unacceptably off. I glued up another blank, and made a better one. Next I had to make sure they all stood up straight.
This was tricky. Because of the height of the candlesticks, being out of true, even by a very small amount, would create a noticeable tilt in the sticks. This is where the feet on the sticks come in. I can plane a little bit off here and there off the feet to make the sticks stand up straight. Except that no matter what I do, the sticks are always tilting a little. And then I notice that, no matter what I do, the sticks are always tilting in the same direction, depending on which section of floor I have put them, which brings me to
Problem #3.
The floors in my house are not level. Unless I can find a flat patch in the house, I cannot true up the sticks. I find a flat patch in the kitchen, so, huzzah, but then I realize that, with all the adjusting I had done trying to get them to stand up straight in the living room, I had more or less ruined the feet. So, remove feet, and put on a new set. A very small amount of adjustments later, and everything is hunky dory. The sticks were now ready for finishing.
The finishing process actually went quickly and smoothly. Three applications of stain (I used a water based aniline dye, dark walnut colour. One of my gloves leaked, and the dye soaked into my skin, and it was impossible to get off. My hand was dark brown for over a week until the skin die and flaked off.) and another five of varnish. Apply thin coats, sand in between, and voila, the job is finished. Call up the buyer.
Problem #4
This is mainly psychological. As a builder, I know every flaw and misstep in my work. To me, it stands out like a sore thumb, and I see the flaws every time I look at my work. No one else ever sees it, but I do, and it makes me a little paranoid sometimes. I find myself thinking, he'll see it. He'll hate it. He won't pay. I don't blame him.
But it was all for nothing. The buyer came, loved them, and picked them up. He even sent me a photo from the All Souls Day Mass.
Not bad, even if I do say so myself.
Now, back to the Christmas Bazaar stuff, and the home altar, and the medieval clock, and the hope chests, and the desk, and....
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Saturday, November 3, 2012
Annual General Meeting 2011-- We Report
On
Saturday, October 27, 2012 the Toronto Traditional Mass Society--Una Voce
Toronto held its 8th Annual General Meeting following its founding in 2004. We
present here, our summary.
As has
become our custom, the day begins with the Holy Mass, this year, a Missa
Cantata for Our Lady's Saturday after Pentecost followed by a wonderful brunch.
Our Guest Speaker, Mr. Damian Goddard was our guest speaker and spoke from his
heart about his love for Christ and His Church and his conviction to the truth.
We provided our Treasurer's Report and President's Report. The Constitution of
the Society was significantly amended. Those of the existing Board were
re-elected and new Directors were added for a total of nine. All votes were unanimous;
note, there was not one dissenting vote!
The
fact that the votes were unanimous is a great blessing. The meeting was the
largest attended ever since the founding of the Society and there were more
paid-up members at the date of the AGM than at any other time in our history.
Our liturgical assets continue to grow and now include:
Missale
Romanum
Missale
Defuctorum
Processional
Cross
Acolyte
Processional Candles
Torches
Sanctus
Bells
Solemn
Mass and Requiem Mass Altar Cards
Catafalque
Candlesticks and Candles
Altar
Candles
Solemn
Set of White/Blue Marian Vestments
Our
plans for the next year include a Solemn Mass on the each traditional Holy Day
of Obligation and other First Class Feasts. We are planning a conference on the
Usus Antiquior a major fundraising dinner and collaboration with those who are
prepared to move forward in faith, harmony and fraternity.
Friends,
your membership in the Society is needed. You can join as a Single Member for
only $20. A family membership is $30 and includes both spouses and children who
have received the Sacrament of Confirmation and are under eighteen years. We
are federally registered charity and your contributions of $100 or more less
the membership amount, will be receipted for tax-deduction purposes. Your
contribution helps the Society to gather necessary liturgical items, promote
the Holy Mass according to its traditional rite and provides support for
Seminarians from the Archdiocese of Toronto. Won't you help us in this regard?
You
can email us at:
You
can visit our soon to be upgraded web page and our future paypal button at:
or you
can write us at:
Toronto
Traditional Mass Society-Una Voce Toronto
3701
Lakeshore Boulevard West
P.O.
Box 48577; STATION LONG BRANCH
Toronto,
Ontario
M8W
4Y6
May
God grant us all His pardon and peace,
The
President
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